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| Do Not Go Gentle |
by Leon Pownall |
NY Theatre.com: “Jill Nagle’s sublime lighting does incredible things with a simple set; her subtle cues change tone and mood instantly to reflect the unpredictable mood of the character and his abrupt changes of subject. “
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| The Man in Room 306 |
by Craig Alan Edwards |
Backstage.com: “Jill Nagle’s lighting design is first rate.”
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| Exposure Time |
by Kim Merrill |
New York Times: “The Production offers fine lighting by Jill Nagle.”
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| Evie's Waltz |
by Carter W. Lewis |
New York Times: “Jill Nagle’s most challenging lighting effect, in which the characters are viewed through a gun’s sights, is appropriately disturbing.”
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| The Good Daughter |
by D.W. Gregory |
New York Times: “…evocatively light by Jill Nagle.”
Variety: “Cunning lighting and sound design bring forth a torrential storm accompanied by thunder and lightning that Lear might envy.”
Curtain Up: “The lighting and sound design are impressive.”
Talking Broadway: “…lighting and sound design are terrific.”
Asbury Park Press: “Special attention must be paid to fellow NJ Rep 1st timer, for her lighting work on a production design that is easily equal of any big stage, big budget production.”
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| Apple |
by Vern Thiessen |
New York Times: “… lighted beautifully by Jill Nagle.”
Talking Broadway: “… nicely enhanced by the lighting by Jill Nagle.”
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| tempodyssey |
by Dan Dietz |
New York Times: “Jill Nagle’s stunning light show suggests a universe in cosmic disarray.”
Two River Times: “…and Jill Nagle gets a major shout-out for her superb lighting design.”
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| The Dishwashers |
by Morris Panych |
John Simon, Bloomberg News: “Jill Nagle’s sympathetic lighting completes one of the season’s happiest theatergoing experiences.”
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| The Whipping Man |
by Matthew Lopez |
New York Times: “Jill Nagle’s lighting scheme add to the aura of a world in which even nature has gone awry.”
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| Minstrel Show |
by Max Sparber |
New York Times: “…Jill Nagle’s lighting, suggesting the rising flames of the fire, turns up the heat when needed.”
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| The Bully Pulpit |
by Michael O. Smith |
NY Theatre.com: “Jill Nagle’s lighting is subtle and effective right down to the slowly fading sunset. “
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| Old Clown Wanted |
by Matei Visniec |
Variety: “Jill Nagle’s sharp keenly defined lighting design accents the faded glory of circus days and the ominous atmosphere of the dark future.”
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| Topdog/Underdog |
by Suzan-Lori Parks |
Talking Broadway: “Jill Nagle’s lighting completes the strong visual elements of the production. “
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| The Fastest Women Alive |
by Karen Sunde |
Talking Broadway: “…elaborate lighting by Jill Nagle are all first rate.”
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| Tilt Angel |
by Dan Dietz |
Asbury Radio: “…creative lighting excellently executed through Jill Nagle’s
design.”
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| In The Parlance |
by Richard Harland Smith |
Off Off Broadway Review: “…the lighting by Jill Nagle suberbly directed attention and accented moods.”
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